Got back from Greenbelt on Tuesday. The Cheltenham Racecourse venue in Gloucestershire seems good for this kind of thing, although, like any outdoor, grassy venue, the trampled mud plus rubbish smell does get a bit on the nose towards the end. It was a good long weekend - I was thoroughly `seminared-out' by the the end of it, and enjoyed some good music, too. There is so much to do and see at this festival that one can't possibly get remotely near to doing everything. Highlights? Sampling the interesting brew in the Organic Beer Tent. Camping with fellow Ship of Fools folk was fun, and much wine was consumed. As for the festival program, I heard talks by David Batstone, Jim Wallis, James Alison, John Bell, Steve Stockman and Clive Stafford-Smith. Jim Wallis has much passion but I find his talks to be a bit too `mass-produced' sounding to be engaging enough. James Alison was every bit as good as I was hoping, and his storytelling style really tickles the imagination. It was great to meet Steve Stockman - I've been enjoying his BBC radio show for several years via the internet.
Greenbelt caters well for it, but I didn't go to many of the emerging-church oriented events, although I attended the Sanctus evening session in the New Forms Cafe on the Saturday night.
On the music front, I saw Martyn Joseph live for the first time. He did a good set on the Friday night, sounding nice through the main stage's Meyer line array loudspeaker system. I regret not hearing more of Brian Houston, though. I got to his short gig in the red Christian Aid Performance Cafe, and wished I'd made it to his longer set on the main stage. He's very good. Having said that, it seems that CDs that you buy at a gig after hearing the artist for the first time rarely deliver. I bought Brian Houston's recent release Sugar Queen, and like his spare live style much better than the full band sounds delivered on the album.
Yesterday I went out to sunny Kent to visit a place of potential work at the Maidstone Studios in Maidstone. After a one-hour train ride from London Victoria to Maidstone East, I made the walk from the town up the hill to the well-appointed studios. It looks like there will be some worthwhile freelance opportunities to be had there.
Greenbelt caters well for it, but I didn't go to many of the emerging-church oriented events, although I attended the Sanctus evening session in the New Forms Cafe on the Saturday night.
On the music front, I saw Martyn Joseph live for the first time. He did a good set on the Friday night, sounding nice through the main stage's Meyer line array loudspeaker system. I regret not hearing more of Brian Houston, though. I got to his short gig in the red Christian Aid Performance Cafe, and wished I'd made it to his longer set on the main stage. He's very good. Having said that, it seems that CDs that you buy at a gig after hearing the artist for the first time rarely deliver. I bought Brian Houston's recent release Sugar Queen, and like his spare live style much better than the full band sounds delivered on the album.
Yesterday I went out to sunny Kent to visit a place of potential work at the Maidstone Studios in Maidstone. After a one-hour train ride from London Victoria to Maidstone East, I made the walk from the town up the hill to the well-appointed studios. It looks like there will be some worthwhile freelance opportunities to be had there.

